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My Dear MelancholyGaspar Noe/Cannes Film Festival
The My Dear Melancholy era notable for being a time when The Weeknd was in proximity to a lot of serious directors. While he’s had a foot in Hollywood for awhile, 2017 through 2019 he was actively engaging with filmmakers like the Safdies Brothers, Gaspar Noe, and Claire Denis, amongst others. While he had been actively courting the Safdies since Good Time was released, he attended the 2018 Cannes Film Festival where he crossed paths Noe, whose film Climax took home a number awards at Cannes. Noe’s Enter the Void had previously served as an inspiration for Kiss Land, and for MDM (and later After Hours) seem to call back to Noe’s other films, like Irreversible and Love, which are both twisted depictions of heartbreak. On the other hand, Climax is about a French dance troupe who accidentally take LSD, and according to Noe is not a “message” movie. It is an audacious psychedelic technical exercise, with numerous long takes and highly choreographed set pieces. The idea for Noe, who had previously captured the feeling of drugs in previous films, was to do the opposite, and present the objectively reality of drugs, watching people high from a sober perspective.
Noe is a rather strong advocate of film, and the opening scene of Climax features VHS boxes of a number of films that have influenced his filmmaking. Two of note are Schizophrenia, otherwise known as Angst, one of Noe’s favorite films which The Weeknd name checked to the Safdies, and Possession, which would go on to be an influence on After Hours (more on this later). He is also said to have sat next to Benicio Del Toro at Cannes, which means he likely caught some of the Un Certain Regard section, where Del Toro served as a jury member. Outside of that section, there were a few other films of interest such as The House That Jack Built from Lars Von Trier (The Weeknd has previously expressed affection for Von Trier’s Antichrist), Mandy from Pastos Costamos, and music video director Romain Gavras’s The World Is Yours, as well as a restoration of 2001: A Space Odyssey, which Noe has referred to as the film that got him into filmmaking.
Later in 2018, The Weeknd continued his globetrotting with a tour of Asia. He once claimed in an interview that whenever visiting a foreign country he only watches films from there. I’ve previously written about the influence of Asian cinema on Kiss Land, and there’s not enough work from the MDM era to glean anything cinematically adjacent to this, but now would be a good time to mention that the "Call Out My Name" video was heavily inspired by the work of famed Japanese photographer Hiroshi Sugimoto. The Asian tour poster seems to be a reference to Ichi the Killer, which leads us to Takashi Miike. Though he is notoriously prolific across a number of genres, his most popular works internationally are genre melding blends of horror, comedy and crime, most notably Audition, Ichi the Killer and Gozu. Another film worth mentioning is Perfect Blue, Satoshi Kon’s masterwork about a pop star’s mysterious stalker that The Weeknd posted about on Instagram before. Bloody and haunting, the film was a major influence on Darren Aronofsky’s Black Swan and Requiem for a Dream. In Interviews he has also mentioned a number of Korean films, such as The Wailing, I Saw the Devil and Oldboy. While Wong Kar Wai was previously mentioned as an influence on Beauty Behind the Madness, also worth mentioning is the work of John Woo, specifically A Better Tomorrow, well known for the shot of smoking a cigar off money, and Infernal Affairs, Andrew Lau’s crime classic which served has the basis for Scorsese’s The Departed.
After HoursMartin Scorsese
While After Hours more so than any other Weeknd album is bursting at the seams with cinematic references, the influence of Martin Scorsese stands above all. Similar to The Weeknd’s body of work, many Scorsese’s are explorations of violence and masculinity, investigating them from a perspective that depending on who you ask (and how they’re feeling) glamorizes, condemns or just simply presents the reality of characters on the fringes of society.
While there are direct references to a number of prominent Scorsese films, what’s interesting is that his influence also reverberates in other films/filmmakers that influence After Hours. Todd Phillips’s Joker is in effect an homage to Scorsese’s loner-centric New York films, and the Safdie Brothers have been putting their own millennial spin on the type of 70s gritty thriller that Scorsese trafficked in (Scorsese was also a producer on Uncut Gems). Specific Scorsese works will be discussed more in depth in the requisite sections, but it is worth mentioning upfront what a prominent role that Scorsese plays in the nucleus of After Hours.
With After Hours, The Weeknd departs from the slicker sounds and influences that permeated Starboy and returns to the cinematic grittiness of Beauty Behind the Madness. While urban horror is a theme that permeates throughout The Weeknd as a project overall, there is a thorough line to be drawn here that follows a number of 70s and 80s cinematic and aesthetic references. For one thing, while the initial bandaged nose was a reference to Chinatown (previously, The Weeknd has a Kiss Land demo titled "Roman Polanski"), the full bandaged face that is so prominently featured throughout the After Hours era is a classic cinematic visual trope that was especially prominent throughout 60s and 80s, though it saw a slight re-emergence in the 2010s. The fully bandaged face is often used to remake someone in the image of another, usually against their will (The Skin I Live In, Eyes Without Face), or as a case of mistaken identity and doppelgängers (Good Night Mommy, Scalpel), themes present throughout much of After Hours. The "Too Late" video acknowledges these references, but instead presents the bandages on two Los Angeles models recovering from plastic surgery, in a nod to a famous Steven Meisel’s photoshoot for Vogue Italia.
The “masks” people wear is another horror trope that is featured prominently on After Hours, and this is best seen in the red suit character. One important reference in the film is to Brian De Palma’s Dressed To Kill, where a serial killer is targeting the patients of a psychiatrist (any more on this film will veer towards spoiler territory). The Weeknd is on the record as saying Jim Carrey’s The Mask as being a large influence on the Red Suit character, it being one of the first film’s he watched in theaters. One of the more complex references would be to Joker. While it sort of an in-joke that the character of the Joker is commonly overanalyzed and misinterpreted, referencing Todd Phillips’s Joker is more nuanced because it is in essence a full on homage to Martin Scorsese’s New York films, most notably Taxi Driver and The King of Comedy, which focus on eccentric loners, and can both be seen as cautionary tale of urban isolation, a theme explored perhaps in songs like "Faith." The King of Comedy revolves around a would be obsessive stand up Rupert Pupkin haggling his way to perform on late night TV, with The Weeknd’s talk show appearances being a prominent part of the early After Hours marketing, most notably in the “short film”. This idea of isolated and compressed urbanites recurs throughout After Hours and it’s films.
The idea of urban repression is in the subway scene of the After Hours short film. The entire film itself is something of a reference to the subway scene to Possession (another Gaspar Noe favorite), mimicking the (also subway set) scene in which Isabelle Adjani’s Anna convulses on the subway due to a miscarriage, as well as Jacob’s Ladder, a 90s cult classic horror film starring Tim Robbins as a Vietnam vet (like Taxi Driver’s Travis Bickle) who is experiencing demonic hallucinations, encountering them in the subway and later at a party he attends, splitting the scene into two.
As always, The Weeknd once again grounds After Hours with a strong sense of place, this time setting the album against a nocturnal odyssey through Las Vegas. One of the most prominent films is Fear and Loathing in Las Vegas, Terry Gilliam’s adaptation of Hunter S. Thompson’s book. This is directly referenced in the "Heartless" video, which sees The Weeknd and Metro Boomin in the Johnny Depp and Benicio Del Toro roles as they tumble through a Las Vegas casino. The Weeknd has gone on the record to state that the famous red suit character was influenced by Sammy Davis Jr.’s character in the film Poor Devil. However, similar red suit has also been sported by a number of Vegas characters, most notably Richard Pryor and Robert De Niro’s Sam Rothstein in Martin Scorsese’s Casino. With the red suit, The Weeknd seems to be playing with the idea of a devil-ish other, another side of his personality that emerges in Las Vegas.
While the city lights are the oft discussed part of part of Las Vegas, it should be noted that similar to Beauty Behind the Madness, the desert that surrounds Las Vegas is just as important to the juxtaposition of its beauty. The "Until I Bleed Out" video ends/"Snowchild" video in the desert, similar to the confrontation between Robert De Niro’s and Joe Pesci’s showdown in the desert in Casino, as well as Joe Pesci's death in Goodfellas. The idea of a hedonistic desert playground also bears semblance to Westworld, both the film and the TV show. The desert seems to represent some sort of freedom to The Weeknd, as the "Snowchild" video portrays the desert as a pensive location for reflection, as well as the "In Your Eyes" video showing the girl prominently dancing with the dismembered head out in the open, in reference to The Texas Chainsaw Massacre, another prominent desert film.
New York/The Safdies
Despite it’s Las Vegas setting, After Hours also takes a good amount from films set in New York, most notably Martin Scorsese’s 1983 film After Hours. Besides the title, After Hours is similarly about a twisting and turning nighttime odyssey. The film stars Griffin Dunne as Paul, a working class stiff who heads downtown to rendezvous with a woman he met at a diner earlier that night. Of course, things don’t turn out the way they should, chaos ensues, and Paul is set on a dangerous trek back uptown. Like the film, the album After Hours is set off by a woman (though the album takes more stock in romantic endeavors), seems to be set over a single night (or at least a condensed period of time), and involves similar chaos and misadventures (sirens at night at the end of Faith). Tonally, After Hours the film is more comedic perhaps than After Hours the album, however The Weeknd is on the record as having said that "Heartless" and "Blinding Lights" placement on the album is intended to be somewhat comedic, reflecting exaggerated machismo and ecstasy, respectively (to comedic effect).
Another of the most prominent filmmakers of After Hours are the Safdies, who featured The Weeknd in Uncut Gems. They also served as a link to Oneohtrix Point Never, who scored their last two films and later worked After Hours. I believe there are three major film tropes (not genres) that inspired After Hours, all of which the Safdies’s have engaged with. There is the one-long-night films, in which a character spends one-long-night on the run from whatever chaos and forces may be that they left in their path. This can be seen in the Good Time, as well as After Hours (the movie). Then, there is the descent-into-madness type, where a character slowly loses grip with reality and ends up in over their head (something like Scarface or Breaking Bad, but for our purposes Jacob’s Ladder can be categorized here as well), which the Safdies did with Uncut Gems. Lastly, but maybe most importantly, the Safdies also explored toxic romance (more on this later) in their less seen film Heaven Knows What, about two heroin addicts and the destructiveness their love brings out in each other, an idea that recurs throughout After Hours on songs like "Until I Bleed Out" and "Nothing Compares." A recurring song throughout Heaven Knows What is Isao Tomita’s synth version of Debussy’s "Claire De Lune", which is featured in some episodes of Memento Mori and bears some resemblance to the start of "Alone Again".
While love and lust and the ups and downs with it have been a formative part of The Weeknd’s ideology and themes, I don’t think it would be remiss to say that After Hours is perhaps his most outwardly romantic album. Despite this, one of the major arcs of the album is toxicity that comes with it, which a number of already mentioned films deal with. While "In Your Eyes" is one of the more romantic and accessible songs on the album, a re-assessment of it Ala Sting’s “Every Breathe You Take” could frame it as lonely obsessing, such as Travis Bickle’s infatuation with Jodie Foster’s teenage prostitute Iris, Joker's fixation on Murray Franklin, Rupert Pupkin’s obsession with Jerry Langford. Casino also deals with toxic romance, another prominent theme in After Hours, best seen in the love triangle that forms between Sam, his partner Nicky and his wife Ginger, played by Joe Pesci and Sharon Stone respectively.
In almost all of the After Hours’s video content, The Weeknd seems to constantly meet his demise at the hands of women. Another interesting reference that may be something of a reach is to Phantom Thread, Paul Thomas Anderson’s film about Reynolds Woodcock, a couture dressmaker loosely based on Cristobal Balenciaga and his muse Alma, played by Daniel Day Lewis and Vicky Krieps, respectively. The film delves into their dysfunctional relationship, with Woodcock berating her and Alma poisoning his tea to keep him dependent on her. One of the highpoint of the film is a New Years Eve Party that bears strong resemblance to the "Until I Bleed Out" video. While the balloons may just be a callback to his earlier work, there is something about the color grading/temperature and the production design of the "Until I Bleed Out" video (as well as parts of the "Blinding Lights" video) that made me immediately think of Phantom Thread. A similar relationship is seen in the German horror film Der Fan, which The Weeknd has mentioned in a recent interview. In Der Fan, a young girl Simone spends her days obsessing over popstar R, until she finally encounters him outside his studio. The film is similar to the aforementioned Takashi Miike’s Audition in its exploration of obsession and idealization. In the film, an older man puts up a fake casting call to search for the perfect girlfriend. While Audition explores these themes from an Eastern perspective of societal pressure, Der Fan explores it through a Western lens of pop idolization and idealization. Both films deal with the idea that despite outward appearances, the perfect partner does not exist, and anyone that claims to be (or has the expectations put on them) is not who they seem.
One film he has spoken at length about is Trouble Everyday, Claire Denis’s arthouse vampire movie. The film stars Vincent Gallo as Shane, a scientist who travels to Paris under the guise of his honeymoon to track down core, a woman who he was once obsessed with who has now become a vampire. Core is locked up in a basement but sometimes sneaks out to seduce and consume unwilling victims. This seems to be where some of the bloody face stuff comes from, but I believe it’s influence is a little more conceptual. To me, a good companion film to Trouble Everyday is American Psycho, which seems to also have been a thematic influence on After Hours. Both films concern idealized version of masculinity and femininity, both very sexual and physical, but hostile as well. American Psycho ends with Patrick Bateman confessing to the killing of a prostitute, but no one believe him. Trouble Everyday ends with Shane killing Core, but Shane is unable to arouse himself after that except through violence. Koji Wakamatsu, a former Yakuza turned prominent extreme Japanese filmmaker (and a major influence on Gaspar Noe) is quoted as saying “For me, violence, the body and sex are an integral part of life.” Despite being hollow, idealized impressions of the self, a vampire and as a banker (cold, seductive bloodsuckers = monsters), Patrick Bateman and Core represent the Frankenstein-ian relationship between sexuality and violence, which I believe is the main theme of After Hours. Truly, we hurt the ones we love.
PostscriptTo cap things off, I would just like to illuminate some key takeaways. As a filmmaker myself, this has been an extremely helpful exercise in understanding other artists process and ideas.
Steeped in the history of the medium…
It’s clear that The Weeknd is not your typical “I’m influenced by cinema” artist but an extremely legit film buff with serious credentials. The Weeknd’s film taste leans towards 70s-00s genre works, mostly horror, drama and thriller, and is well versed in the classics but also has the nose to sniff out deeper cuts and obscurities. The mantra of “good artists borrow, great artists steal” works even better if not many people know where you’re stealing from! What is impressive to me is that he is not just versed in “mainstream” obscurities, but also serious deep cuts. Films like Possession and Phantom of the Paradise may not stick out to the average person on the street but are well known in most film circles. Films like Inland Empire and New Rose Hotel (Der Fan was especially impressive to me, it is one of my favorite films) however are not as well known and it is very impressive to me that he can come across films like that, and really get enough out of it to bring into his own work.
…is able to interpolate contemporary/mainstream films…
This perhaps is one of the most impressive aspects of his integration of film into The Weeknd’s work. It is very easy for film buffs to get lost within their own obscure taste, living in a world where everyone is an idiot for not knowing who Shinya Tsukamoto. Trilogy and Kiss Land had a lot of contemporary obscurities, like Stalker, David Lynch etc., well known but they still existed as artifacts, not of the time we live in. However, perhaps picking something from his work on Fifty Shades of Grey, of late he has kept his finger on the zeitgeist and anticipated/integrated what the filmmakers of today are doing, such as his work on Black Panther and Game of Thrones, general appreciation of Tarantino, the works of Nicolas Winding Refn in Starboy, and his use of the Joker and Uncut Gems on After Hours, both of which came out just a few months before the album. It feels Jackson-esque, and I believe this is one thing that will help him further in his quest for pop stardom.
…while also being fully in tune to the works of modern transgressive auteurs…
In addition to keeping up with the mainstream is in touch with, The Weeknd also makes it a point to seek out and learn from the cutting edge filmmakers of today. While the Safdies were always going to blow up, I don’t doubt that a Weeknd co-sign accelerated their rise. Gaspar Noe is one thing, Enter the Void and Irreversible exist as masterpieces of the mainstream obscurities I’ve been mentioning, but he really truly tries to understand the heart of Noe’s work, even going so far back as to understand Noe’s influences (I sincerely hope he is tuned in to the work of Koji Wakamatsu). But most of all, to be a fan of Claire Denis is one thing, but to seek her out and make her an offer that she ACCEPTED is absolutely astounding to me. Just spitballing but it would be like if Michael Jackson shot a music video with Rainer Werner Fassbinder (who I’d bet good money that The Weeknd was put on to by Noe). We can only PRAY that one day we will be blessed with a David Lynch Weeknd video.
…and that just about does it. Hope you enjoyed this and thanks for being patient with me. I got quite busy after the first two and had my own projects/work going that kept me occupied. As we’re still technically in the After Hours era, I also wanted to wait until a few more videos and interviews came out to aid me in my research.
I also wanted to find enough time to make the Letterboxd for this. I personally don’t love Letterboxd culture, I find the popular culture surrounding the site a bit snobbish and exclusive, but I’ve gotten a number of requests for one and you gotta give the people what they want. Throughout the list are a few films that he hasn’t mentioned but are some of my personal favorites and I believe Weeknd fans will like, I encourage you to accidentally stumble upon things on it. Don't overthink, just pick something and watch!
If you’d like to follow me further, you can find me on Instagram here, where I post about film reviews Letterboxd style. I prefer Instagram so that more average people see it instead of an echo chamber of film snobs. I am also a filmmaker myself, I just recently wrapped this short film and am currently in the process of putting together my next project.
The main reason I did this however, besides a general appreciation of The Weeknd’s work, was to put more people on to the beautiful art form that is cinema. One thing I learned from Scorsese is that one must be an advocate and truly champion your medium. I hope that this encourages to check out more interesting movies than they wouldn’t normally come across, and I hope this will inspire more people to create more as well, whether it be to write, make films, music, anything. If even one person picks up a pencil, a camera or a keyboard because of these posts, I will be satisfied.
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"As most of you already know, I only use real "Jerry's Nugget" cards to work with and have been doing so for many years. As these cards happen to be extremely rare to find on the market (I am obviously talking about the original Jerry's Nugget cards and not the recently reprinted ones) and they excite the magical world a lot, I am therefore constantly asked how many I own, how long have I owned them, what deal I made to get them and with whom, why do I have so many cards, why did I choose these specifically, why don't I want to sell them, why, why, eh?! And I hear such amazing stories about myself on these famous "Jerry's Nugget" cards that I decided to speak on the subject myself today."This sounds very promising! Duvivier then goes on to tell the story about how the Jerry's Nuggets gained their legendary reputation, and the unique qualities they have. In France in the 1970s, American playing cards were quite rarely seen, and Duvivier knew a French pilot commandant called Reyno who loved magic, who would occasionally bring back cards from the US to a small circle of French magicians. At this time even standard Bicycle and Tally Ho decks were prized by these French conjurers, so besides them a Jerry's Nugget deck was considered a real crown jewel.
"In 1999 (if I'm not mistaken) my daughter Alexandra and I were hired to perform for a whole week at Magic Castle and then for a few contracts in Las Vegas. You may think that I had only one idea in mind at the time: a trip to the original casino where my favourite cards were from, Jerry's Nugget! Michael Weber had told me that there were still a few decks for sale there, so as soon as we arrived I immediately asked Philip Varricchio, who had come to pick us up in a limousine, to take us there. He was rather surprised, as we hadn't even put our bags down at the hotel (yes, I'm a fool) and the old Jerry's casino wasn't really known for being a must-see place! So I told him that I wanted to go there to buy Jerry's Nugget cards. According to him it was impossible to get them for the simple reason that they hadn't been around for a long time, but I was so insistent that he finally complied (hey, hey, hey!). When we arrived there, we went to the gift shop of the casino and I asked the salesman if he was selling their decks.Probably the key sentence in that account is this, and the best translation seems to be something like this:
- Yes," he told me, "I have a few.
He shows me a small piece of wall in the back of the store where a hundred decks were on display. I ask about the price. Not even expensive!
- Well, I'll take them," I say (laughs).
And of course I ask if he has more in reserve! Yes, there were about a hundred boxes left (each box containing a large number of cards, 144 decks!). After a little negotiation, the unit price was even lowered to less than $1.
That's it, that's how it happened and that's it. In fact, in all this story, the most difficult, the longest and the most expensive was to get the stock back to France.
Since then, I've been seeing, little by little, the bids going up on these cards in a rather hallucinating way, whereas, of course, that wasn't my initial motivation at all. From the moment I bought the remaining stock, it's as if everyone wanted to own even more! But I just wanted to have enough stock of Jerry's Nugget decks because I'm a card fanatic and these in particular. I use these cards because they're the best cards I know and I've fought like a big man to own enough of them for me (I should mention that I never had a middleman or a partner to buy these cards). Anyone could have done as I did and I don't understand why no one did: you just had to take the trouble to go to this casino, because the cards were available! In any case, now they are all warm and cosy in different safes, which I won't tell you about. They say I'm the person with the most cards in the world, but I have to say I don't care. I know Chris Kenner is the one who planned it, he has a lot of them too. I've been offered golden bridges to sell a few packages, or even my entire stock. I've had some incredible offers over the years. I never intended to create a buzz with these cards: I just use them for my own personal consumption, that's all...because they're my favorite cards."
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Authoritarians also dispense largesse, but they do it by their own whims, rather than pursuant to any system or legal rule. The point of authoritarianism is to concentrate power in the ruler, so the world knows that all actions, good and bad, harsh and generous, come from a single source. (The New Yorker)Last week, Trump granted pardons and commutations to 11 people with one thing in common: connections. Trump bypassed the process of formal procedures typically used to determine who is given a pardon, instead relying on connections to his wealthy friends and political allies.
Judge Jackson: “The truth still exists. The truth still matters. Roger Stone's insistence that it doesn't, his belligerence, his pride in his own lies are a threat to our most fundamental institutions, to the very foundation of our democracy...The dismay and the disgust at the attempts by others to defend his actions as just business as usual in our polarized climate should transcend party. The dismay and the disgust with any attempts to interfere with the efforts of prosecutors and members of the judiciary to fulfill their duty should transcend party.Judge Jackson pushes back
"Sure, the defense is free to say: So what? Who cares? But, I'll say this: Congress cared. The United States Department of Justice and the United States Attorney's Office for the District of Columbia that prosecuted the case and is still prosecuting the case cared. The jurors who served with integrity under difficult circumstances cared. The American people cared. And I care."
"Stone’s Motion for New Trial is directly related to the integrity of a juror. It is alleged that a juror misled the Court regarding her ability to be unbiased and fair and the juror attempted to cover up evidence that would directly contradict her false claims of impartiality," his lawyers argued.As expected, Jackson denied the motion to have her disqualified...
"The premature statement blessing the “integrity of the jury” undermines the appearance of impartiality and presents a strong bias for recusal," they added.
"That juror is so biased and so tainted, that shouldn't happen in our criminal justice system… You have a juror that is obviously tainted. She was an activist against Trump. She said bad things about Trump and bad things about Stone," the President claimed without evidence. "She somehow weaseled her way onto the jury and if that's not a tainted jury then there is no such thing as a tainted jury."
A new boss, Timothy Shea, had just arrived and had told them on his first day that he wanted a more lenient recommendation for Mr. Stone, and he pushed back hard when they objected, according to two people briefed on the dispute. They grew suspicious that Mr. Shea was helping his longtime friend and boss, Attorney General William P. Barr, soften the sentencing request to please the president.
...The tensions between the office, the Justice Department and the White House date back further than the tumult in the Stone case. They have been simmering since at least last summer, when the office’s investigation of Andrew G. McCabe, a former top F.B.I. official whom the president had long targeted, began to fall apart.
Mr. Shea’s predecessor, Jessie K. Liu, a lawyer whom Mr. Trump had appointed to lead the office in 2017, pressed the McCabe case even after one team of prosecutors concluded that they could not win a conviction. After a second team was brought in and also failed to deliver a grand jury indictment, Ms. Liu’s relationship with Mr. Barr grew strained, people close to them said. She left the position this year, though she and Mr. Barr have both stressed to associates that her departure was amicable.
This is in the style of autocrats across the globe, who weaponize the law to help themselves and their friends and hurt their enemies. The nation’s legal system is now run by a man who has spent his life mocking it. (NYT Editorial Board)Meanwhile, the president’s allies have reportedly been urging him to fire anyone who was involved in Mueller’s investigation:
The MAGA punditry’s outsized influence over the president means their campaign against the so-called Mueller “holdovers” is likely not falling on deaf ears, especially given Trump’s fixation with what his defenders and detractors are saying about his administration in their frequent appearances on his favorite TV programs.What can be done about the politicization of the DOJ? In an op-ed for The Washington Post, Cass Sunstein of Harvard Law School suggests that “Congress should transform the Justice Department into an independent agency, legally immunized from the president’s day-to-day control.”
“It's totally unclear to me why any members of the Mueller team need to remain in the Trump DOJ,” the pro-Trump conservative blogger Will Chamberlain wrote after news broke of the Stone sentencing recommendation.
...GOP operative Arthur Schwartz, a close friend of Donald Trump Jr. who has been described as the eldest son’s “fixer,” said of the career officials in question: “I think they should all be investigated.”
...John Dowd, a former Trump lawyer who remains in touch with the White House, characterized the line attorneys in the Stone case as “insubordinate,” and “the same crowd of prosecutors wedded to the Mueller agenda” who need to be “cleaned out” from DOJ. “And Bill Barr is doing that,” Dowd said.
The justice wrote that granting emergency applications often upends "the normal appellate process" while "putting a thumb on the scale in favor of the party that won." Targeting her conservative colleagues, she said "most troublingly, the Court's recent behavior" has benefited "one litigant over all others."
"Claiming one emergency after another, the Government has recently sought stays in an unprecedented number of cases," Sotomayor said. "It is hard to say what is more troubling," she said, pointing to the case at hand, "that the Government would seek this extraordinary relief seemingly as a matter of course, or that the Court would grant it." CNN
The Justice Department revealed Tuesday that law enforcement officials running Ukraine-related investigations must seek approval before expanding their inquiries — a move that could have implications for Rudolph W. Giuliani, as President Trump’s personal attorney pushes for scrutiny of the president’s political foes while facing a federal probe into his own conduct.
Assistant Attorney General Stephen E. Boyd wrote to Nadler that the department had tapped two U.S. attorneys to assist in the process — Scott Brady in Pittsburgh to receive and assess new information, and Richard Donoghue in Brooklyn to help coordinate personnel throughout the Justice Department involved in Giuliani’s case and others with a focus on Ukraine. An accompanying internal memo, circulated by Rosen in January, says that he and Donoghue must approve expansions of any inquiries.
In effect, the Hill said Solomon amplified an inaccurate and one-sided narrative about the Bidens and Ukraine that was fed to him by Giuliani, “facilitated” by businessman Lev Parnas, who was working with Giuliani at the time, and reinforced by Solomon’s own attorneys, who also represented clients embroiled in U.S.-Ukraine politics.
But the Hill stopped short of retracting or apologizing for Solomon’s articles, nor did it say it shouldn’t have published them. It also didn’t characterize Solomon’s motives in presenting what appears to be a largely debunked conspiracy theory about Ukraine.
“In certain columns, Solomon failed to identify important details about key Ukrainian sources, including the fact that they had been indicted or were under investigation,” said the internal investigation, which was overseen by the newspaper’s editor, Bob Cusack. “In other cases, the sources were [Solomon’s] own attorneys” — Victoria Toensing and Joseph DiGenova, who have also represented President Trump and Giuliani, who was also a key source for Solomon’s columns.
Solomon didn’t disclose this connection in his columns nor did he disclose to his editors that he shared drafts of his stories with Toensing, DiGenova and Parnas, the review noted.
Trump has told his lawyers that Bolton should not be allowed to publish any of his interactions with him about national security because they are privileged and classified, these people said. He has also repeatedly brought up the book with his team, asking whether Bolton is going to be able to publish it, they said.
Trump told national television anchors on Feb. 4 during an off-the-record lunch that material in the book was “highly classified,” according to notes from one participant in the luncheon. He then called him a “traitor.”
“We’re going to try and block the publication of the book,” Trump said, according to the notes. “After I leave office, he can do this. But not in the White House...I give the guy a break. I give him a job. And then he turns on me,” Trump added during the West Wing lunch. “He’s just making things up.”
"I thought a lot about if I had been in that position how would I have approached it, and I'll be honest: It's inconceivable to me that if I had firsthand knowledge of gross abuse of presidential power that I would withhold my testimony from a constitutional accountability process.”
"I can't imagine withholding my testimony, with or without a subpoena," Rice said. "I also can't imagine, frankly, in the absence of being able to provide the information directly to Congress, not having exercised my First Amendment right to speak publicly at a time when my testimony or my experience would be relevant. And, frankly, when my subordinates ... were doing their duty and responding in a fashion consistent with their legal obligations to provide information."
"I would feel like I was shamefully violating the oath that I took to support and defend the Constitution."
President Donald Trump’s choice to stay at his own Las Vegas hotel each night during the western states swing that wraps up Friday likely cost taxpayers a million extra dollars as well as diverted thousands of them into his own cash registers.Breaking with precedent, Trump flew back to Vegas to stay every night at his Trump International Hotel, despite his day activities taking place in California, Arizona, and Colorado.
Had Trump held the same events but done so in a geographically logical order ― starting in Beverly Hills and finishing in Colorado Springs, but overnighting each day in the city where he would begin the following morning ― Trump would have spent four fewer hours aboard Air Force One, thereby saving taxpayers about $1.1 million.This week, Trump has a whole new country to focus on: India, home to the largest portfolio of Trump real estate projects outside North America, according to the president’s son Donald Trump Jr. According to The Washington Post, since the elder Trump’s last trip to India in 2014, two of his business partners have encountered massive legal and financial trouble.
...Indeed, the repeated overnight trips to Las Vegas may have forced the Secret Service and other support personnel to keep a motorcade there for a full four days, rather than move it to the site of an upcoming presidential trip
In 2018, the president’s son, Donald Trump Jr. — who runs the Trump Organization with his brother, Eric Trump — spent several days in India promoting the family’s developments, attending a champagne dinner with condo buyers who plunked down $39,000 deposits and bringing in millions of dollars in new sales. While there, he also met with Modi behind closed doors. The next year, Trump’s Indian business partners flew 100 early buyers of his luxury condos near Delhi to visit Trump Tower and Trump Ferry Point golf course in New York City as a way to generate interest in the properties in India. One attendee gushed afterward about meeting the son of a U.S. president on the trip.
President Donald Trump’s campaign is bringing on an alum of the controversial data firm Cambridge Analytica...Matt Oczkowski, who served as head of product at Cambridge before it went bankrupt and shut down in 2018, is helping oversee the Trump campaign’s data program...Oczkowski, who also worked on Trump’s 2016 effort, joined the reelection campaign in January, and payments to his company, HuMn Behavior, are expected to show up on Trump’s next campaign finance disclosure later this month. (Politico)An Axios report revealed where most of Trump’s re-election campaign is spending its advertising budget: on Facebook ads. “Last fall, the campaign urged Facebook to keep the same tools for political advertisers that they make available to companies...Facebook ultimately decided not to change its policies around microtargeting.” However, unlike in 2016, the campaign is also diversifying, “testing new strategies on several dozen platforms, including YouTube, Google, ad exchanges, publisher networks and conservative podcasts.”
The United States is against mentioning climate change in the communique of the world’s financial leaders, G20 diplomats said, after a new draft of the joint statement showed the G20 are considering including it as a risk factor to growth...G20 sources said the United States was reluctant to accept language on climate change as a risk to the economy. ReutersOn Sunday, it was announced that the U.S. ultimately agreed to a less-prominent placement for the risks of climate change. It will now appear in language referencing the Financial Stability Board’s work examining the implications of climate change for financial stability.
One of the G20 sources said it was the first time a reference to climate change had been included in a G20 finance communique during Trump’s presidency, even though it was removed from the top of the joint statement. U.S. officials have resisted naming climate change as an economic risk since Trump took office in 2017. One of his first acts as president was to announce Washington’s withdrawal from the Paris climate accord.
"All traitors must die miserable deaths," Atkinson's email read in part, the indictment says. "Those that represent traitors shall meet the same fate[.] We will hunt you down and bleed you out like the pigs you are. We have nothing but time, and you are running out of it, Keep looking over your shoulder[.] We know who you are, where you live, and who you associate with[.] We are all strangers in a crowd to you[.]"On Wednesday, Salvatore Lippa of New York was arrested for threatening to assault and murder Rep. Adam Schiff and Sen. Chuck Schumer in voicemails last month.
Lippa started the threatening message by calling the congressman "Schiff, Shifty Schiff," invoking the nickname used by President Donald Trump for Schiff, the lead House manager during Trump's impeachment trial.
...When questioned by U.S Capitol Police, Lippa admitted to making the threatening calls to Schiff and Schumer because he said he was upset about the impeachment proceedings, prosecutors said.
Kurt Angle had a star-making year. One of the best talkers in the business and already one of the best in-ring guys after only really one full year. Dave says if he continues to improve at this rate in 2001, barring injuries, he may be the best in the world by this time next year (yup).
Chris Benoit is probably the best in-ring guy in wrestling today and his jump from WCW to WWF (along with the other 3) pretty much tore the heart out of WCW and they've never recovered. Benoit was going to be a main eventer and likely multiple-time world champion in WCW, headlining PPVs and TV, and who knows what may have been different if he had stayed. They almost certainly would have still self-destructed, but at least the matches would have been better.
Triple H is the likely Wrestler of the Year winner and Dave wouldn't argue it. He spent 2000 as one of the top guys (alongside Rock) in WWF and had numerous MOTY-quality matches, was a top draw for PPV, tickets, ratings, everything. Held the title repeatedly. An incredible feud with Kurt Angle that unfortunately fizzled out but was great while it lasted, etc. Hard to argue that Triple H had the best 2000 out of anyone in wrestling.
Toshiaki Kawada. Without him, AJPW ceases to exist in 2000. His star power and that alone is the only thing keeping that promotion alive and the feud with NJPW has put Kawada in a position of having dream matches that will sell out the Tokyo Dome. His match with Kensuke Sasaki was one of the biggest matches in the history of Japanese wrestling. And in ring, he's a Benoit-level worker. You could argue that other wrestlers were better this year, but nobody was more valuable to their promotion than Kawada was to AJPW.
Mitsuharu Misawa didn't really have the kind of amazing in-ring year that he's been known for in the past. But the importance of the NOAH split from AJPW is hard to overstate and was likely the biggest business story in wrestling all year in Japan (worldwide, Dave thinks the slow death of WCW is a bigger story in the long-term). If this award was for most influential wrestler outside the ring, Misawa would get it due to the successful start of NOAH.
The Rock should probably be the favorite. He's not the in-ring talent that Triple H has, but he's still pretty damn great and has had some classic matches this year. He was the top draw for WWF by far and kept the company afloat with Austin out injured for most of the year. Plus, his sheer celebrity and mainstream value to the company is huge.
Kazushi Sakuraba is a controversial pick and there's been a lot of debate over whether he qualifies, since he's MMA and not pro wrestling. Dave argues the case to why he should be eligible but it's hard to make a fair comparison to wrestling. But Sakuraba's historical legacy in MMA was cemented this year when he started beating members of the Gracie family one-by-one in PRIDE. Speaking of......
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The 50th Affiliate Summit!The Paris Hotel turned over once again to become the North American affiliate HQ. Over 6000 attendees from all major affiliate networks, SaaS providers, OPMs and leading online advertisers headed for Affiliate Summit 2020. In fact you can’t walk a corridor, go for a coffee or ride the elevator without starting another conversation. And, it could be an old friend or even a newbie – it’s the ideal conference vibe.
Amazingly there have been 50 Affiliate Summit events over the last 17 years – and as each comes around they get bigger and better. This year’s ASW20 was larger in floor area with some excellent sessions tackling some of the thornier issues in affiliate (or partner) marketing. In celebration, many of Shawn and Missy’s friends surprised them with a party at Toby Keith’s ‘I Love This Bar & Grill’. A great end to another great week.
The team from Publisher Discovery was exhibiting and showing our latest platform for identifying, filtering and recruiting new affiliates. Our booth was so popular at times there were people queueing to talk to us – its great that we hit the right note with attendees.
Next year’s ASW conference moves to a brand new venue in Caesar’s Forum, Las Vegas, from February 2-4. This is brand new and right on the Strip – with no smoky casino to walk through. The event hotel will be moving to Harrah’s, a more up to date venue – so, save the date – and see you there!
AM Days has become an integral part of the Affiliate Summit offering as an add-on for serious affiliate managers. This year was three times larger than ever before – and in fact was more than sold out. They made sure that they made space for everyone who wanted the gen on this unique content..
Geno Prussakov led with the keynote session on
Key session from Wade Tonkin of Fanatics, on Targeting Content Partners, which featured some of the main tools used; and which included a short presentation of Publisher Discovery is used to view your the main advertisers in your market.
From conversation we had with attendees this is a truly invaluable part of the Summit for any affiliate manager. We’d highly recommend signing up early for the next at ASE20 in New York.
Main ASW20 sessions
Of course for a lot of attendees its the conference sessions that are the big draw. Each session led by a key industry figure – or a panel of leading figures. Some of the key sessions that caught our attention, reflecting the focus for a lot of affiliate managers in recruiting affiliates to keep ahead of their competitors. These included:
Our Next ShowsThe next show we’ll be attending is PerformanceIn PI Advanced, New York in May. An innovative one-day format focusing on how e-commerce brands can optimize planning, execution and ROI in performance marketing. It is retail focused and will bring together the leading networks. SaaS and technology providers in one place.
In August we’ll return to the US for Affiliate Summit East in July – for the east coast version of the show. You can see more and where to meet us on our Events page. We look forward to meeting you at the next show.
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Support the channel by donating with Patreon: https://www.patreon.com/4KVegas 1X Donation Via Paypal: https://www.paypal.me/ryanwest1294 Merchandise: https:/... Today we tour the Paris Las Vegas hotel. This is a king room with EiffelTower view. You can learn more about this hotel here: https://bit.ly/2QGgw8V Paris Las Vegas Room Review 4K - Duration: 5:37. 4K Vegas 46,514 views. 5:37 . How to Stop Puppy Biting and Don’t Do These 5 Things When Training Your Puppy - Duration: 10:24. Zak George’s Dog ... Hey, Guys, I'm at the Paris Hotel Casino on the Las Vegas Strip. They just opened up today and I'm going to show you around the floor and take you on a tour ... We had a lot of viewers request a walk through of the Paris Hotel & Casino located on the Las Vegas strip! We hope you enjoy! The hotel opened in 1999, and c... A quick tour of the Paris Hotel and Casino Room on the 9th floor with the Eiffel Tower View and pool view. A walkthru/review of a 2 Queen bed "Burgundy" room with Eiffel Tower view at Paris Hotel and Casino, Las Vegas. Wonderful view of The Fountains at The Bellag... This is my review of Paris Las Vegas, this review is of the newly remodeled Nice Suite (MAGNIFIQUE SUITE) . This Amazing Suite has an amazing view of the Eif... Las Vegas Paris Hotel and Casino Walk Through in 4K - June 18, 2020 Join me for a 15 minute walking tour of the Paris Hotel and Casino on the Las Vegas Strip...